Wednesday, 18 December 2013

Michael Burghers Engraver, Artist & Printer 1647/8-1726/7

Michael Burghers Engraver, Artist & Printer 1647/8-1726/7


A Short Biographic Draft History of Michael Burghers

From 1676 to 1723 almost all of the Oxford Almanacks were in part and sometimes entirely designed and engraved by Michael Burghers. Burghers was born in Amsterdam and he came to England with [1]Loggan on the winning of Utrecht by Louis XIV.[2] Burghers according to what can be ascertained from local records finally settled in Oxford around 1674. Burghers actually started working for the University of Oxford in 1673 as an engraver and in 1694 he became engraver to the University. Burgher's best known work is for the University were the Almanacks from 1699 to 1724[3].

No artist has been so closely associated with the University press as Burghers. According to Harry Carter's A History of the Oxford University Press, Volume I to the year 1780 ‘Burghers engraving of headpieces after Aldrich have been seen as a significant contribution to book design. Alamancks became very popular and indeed profitable for the burgeoning Oxford University press. Oxfordshire county records in regards to Burghers and his family are of some biographic interest.

Oxfordshire archives are able to find the baptism’s of 7 of Burghers children at the church of St Peters in the East; Michael, 23rd of April 1676; Susanna, 6th January 1978; Thomas, 1st November 1680; Henry, 21st of January 1683; Agnes, 12 October 1684; Elizabeth, 21st November 1686; Michael, 19th January 1690. Unfortunately the mothers name is not stated. Four of the children were buried in the same parish at a fairly young age, not uncommon for the time; the first Michael, 13th July 1676 (4 months); Susanna, 7 November 1693 (15 years old); Henry, 11 September 1689 (6 years old) and Elizabeth, 6th October 1688 (2 years old). It is noted that in the case of the first Michael’s baptism the name was spelt Burges, possibly a mistake by the clerk or perhaps an early attempt to anglicise the name. A marriage was also found for Ann Burghers and John Wells at St Peters in the East on 28th April 1705. It was noted that they were both of the parish, I would assume that the bride is actually the daughter of Burghers, Agnes. Agnes also acted as administrix on the death of Burghers. Agnes and her husband John Wellman had the baptism of 11 children at St Peters in the East, the baptisms date from 1705/6 to 1722, unfortunately 6 of the children died in infancy, but three lived to quite old age.

St Peters in the East is currently in use as a library for the college St Edmunds Hall although it is still part of the parish of Oxford. No graves or headstones can be identified as belonging the Burghers or his immediate family although it is clear that in the 1960s when a research project did a survey of all existing graves and headstones within the church and graveyard at that time. No headstones or grave marking inside and within the church were found with any mention of Burghers or his immediate family. These headstones were not recorded, it should be noted that the records state that the children & Burghers were buried in the parish of St Peters in the East and not actually in the churchyard, burials with headstones were also an expensive undertaking which I suspect Burghers or his immediate family were unable to afford. It is also clear that a large area around St Peters in the East, was an area of re-development undertaken during the Victorian era, it is at this time that the burial grounds shrunk, and possibly the time at which many physical evidences of life & death around the church of St Peters were lost.

Burghers was buried on January 13th 1727, his wife Susanna Burghers was buried in St Peters of the East on 16th August 1718 (this is the one of the only mentions of the name of Burghers wife) After an extensive search no records can be found in regards to any marriage entry for Michael and Susanna for Oxfordshire and North Berkshire and other churches associated with the university and the press, St Mary the Virgin, St Michael at the Northgate and the Christ Church, perhaps the marriage took place outside of these areas or possibly before Burghers came to this country although I do not think this is the case. There is also no mention of Burghers in the index of Oxford Freemen for this period.
According to the University of Oxford Archives, Burghers has an entry in the published register of those who matriculated (i.e. were admitted to the University) between 1500 and 1714, by Joseph Foster, entitled 'Alumni Oxonienses'. The text of the Burghers' entry is as follows:

Burghers, Michael, 'Calcog. Uni.' privilegiatus 7 July 1694, a Dutch engraver
and draughtsman, died 10 January 1626/7. The death date must be a typing error, i.e. 1726/7. The University archives also hold Burghers' inventory and administration bond within the Chancellor's Court probate records, which are dated April 1727.

A 'privilegiatus', or privileged person, was someone who was granted the privileges of the University, but who was not a student. Privileged persons were mostly (but not solely) tradesmen of the city whose main privilege was exemption from certain aspects of the city's jurisdiction; there was no connection with degrees.

Burghers date of ‘matriculation’ is the date at which he became a privileged person. The records in the University Archive and found Burghers' entry (in his own hand) in the Subscription Register for 1694-1714 (SP 42, fol 7). The 'Calcog. Uni' given by Foster is how Burghers describes himself in this entry, i.e. 'Calcographus' to the University. It would appear from the records that Burghers' admission to the University in 1694 was on account of his appointment as University Engraver. He does not appear to have had a formal connection with the University prior to this date. The Register of Convocation for 1693-1703[4] records the University's granting of the office of University Engraver ('Officium Sculptoris .. Universitatis Oxon.') to Burghers on 7 July 1694. The sealed letters granting the position, which were copied into the Register, describe Burghers as 'Sculptoria Artis apprime perito' and stipulate that in payment, Burghers was to receive a salary or fee of twenty shillings a year.

Burghers death is also recorded in the University archives within the  administration bond (OUA Hyp/B/37, fols 219-20) is dated 28 April 1727 and obliges Burghers' administratrix, his daughter Agnes Welman, to make an inventory of his possessions. The Bond is signed by John Wellman, William Wellman and Francis Wellman (or Welman).

The inventory (OUA Hyp/B/11, fols 48-9) is dated 29 April 1727. It describes Burghers as 'Engraver, Deceased, late of the Parish of St Peter in the East, Oxon.'. It then proceeds to list all his goods and chattels, Two properties are mentioned: a 'garrett' containing primarily items of bed and table linen, tools, cooking equipment, clothing and furniture; and a 'brewhouse' containing a small number of miscellaneous items. Unfortunately no further details are given as to the location of these premises. At this point in time a press or printing equipment does not seem to evidenced, this is puzzling since it is clear that Burghers would have owned a press and the equipment that goes along with plate engraving and print production. Perhaps Burghers press and equipment was sold before his death indicating that perhaps he was unable to work at the very end of his life and none of his children took up the work to support him. The listing of 61 copper plates is intriguing, these must have been finished plates that Burghers had kept over the years, a treasure that is now lost.

Hyp/B/11, f. 48


A True & Perfect Inventory of the Goods & Chattels of Mr Burghers Engraver Deceas’d, late of ye Parish of St Peter in the East, Oxon.

In ye Garrett                              
                  Impr:s      A Feather bed, bolster & 3 pillows, an halfheaded bedstead         £     s
                  Mattress & Cords 3 blanketts, an old Rug & a Quilt.                                        2 = 02

                  Three pair of ordinary sheets, 3 Coarse Table Cloths
                  5 Napkins, 4 Pillow-biers, 5 Towels, 1 Table Cloth 13 Napkins.                       1 = 10

                  A Chest & a Strong Box, 2 large Pewter Dishes 5
                  lesser Dishes, a Cheese Plate 16 Pewter Plates a Pewter-                                 1 = 05
                  flaggon & a Chamberpot.

                  A Copper Cullinder a Stewpan 2 Sawcepans,
                  3 brass Ladles a warming pan a Large brass pott                                               1 = 10
                  2 lesser potts & a Small Kettle.

                  A Grate & fender a Crane a fireshovel a pair of
                  pothooks 2 Spitts a Jack weight & Chain 5 Smoothing-
                  Irons 2 hammers a Pair of Dog Irons 3 pair of                                                     1 = 12
                  Brass Andirons 2 Shovels 2 pair of Tongs an old
                  Brass Candlestick.

                  An Old Elbow Cane Chair 2 other old Chairs a Small
                  Oval Table a Glass Case 2 Candleboxes a Chocolate pott                                   0 = 07
                  2 Stands & some Lumber.

                  Two Coats 2 Wastecoats a Rug Coat a Morning Gown
                  3 old pair of Stockings an hatt 3 Shirts – item one large                                      0 = 07
                  pair of Iron Compays[?] 1 smaller

                  A Cloaths press a Chest a bedstead Curtins & Valiens [valance] a
                  Chest of Drawe’s, a large drinking Glass & 3 smaller, a
                  large bason 2 plates a Syllabub-Cup a Decanter 2 flow’r=                                  1 = 17
                  pots a Looking Glass a large picture over ye Chimney

In ye Brewhouse    

A Copper & Iron work a Cooler 2 press rolls a grate & stock                                 1 = 10
                  a Grindstone

                  A Silver Spoone                                                                                                            0 = 07

                  61 Copper Plates 69 Cd wt [hundredweight]                                                           2 = 17

                  A Few Prints                                                                                                                   0 = 01

                  A Parcel of Books & Pictures                                                                                         5 = 05

                                                                                                                                                     Total      20 = 13

                  [Signed] JW Tottell
                  [Signed] Leond: Lichfield



In fact in the OUP archives there is one plate that on the reverse side has some engraved images that would have been carried by a child, possibly one of Burghers Children or grandchildren?

Burghers engraved many of the illustrations in Oxford books and also cut designs for many title‑pages and headings. George Vertue[5], worked with Burghers for several years and eventually became the University Engraver after Burghers, Vertue fully attributed, the almanack of 1676 to him: ‘the first of M. Burghers without his Name poorly done 1678. With his name a little better. Some years after much improv'd. His best.’ Burghers inscribed his plates ‘sculp.’ or ‘sculpt.’ as engraver of the plate, or ‘sculp. Univ. Oxon.’ as Engraver to the University. In 1699 he added ‘delin.’ showing that he created the drawing as well as engraving the plate, and from 1706 to 1719 all the drawings and some of the design suggestions were his. Burghers claimed to have fully designed only one Almanack, that for 1722, one plate of which is inscribed ‘MBurghers inven. & delin. G.Vertue Sculp.’, but it is thought he may also have designed the ones for 1688 and 1719.

In 1675 Burghers was paid in October and in 1677 in August,[6] but plates were sometimes engraved early in the year before. One plate for 1715 was completed just before the death of Queen Anne on August 1714, but not printed, for it is corrected by the addition of the date of the accession of George I; in the second plate his name is included in the regal table so the calendar, must have been engraved after August. One plate for 1720 was ready in May 1719, and in 1728‑9 Vertue was paid for engraving the plates for 1730 and 1731.

In 1675 Burghers it was recorded was paid £8 for the engraving of the Almanack and two years later his fee was £9. In 1691 it was £13 for the but the price soon rose; in 1710 the charge was £32 and in 1713 the two plates cost £4 and the engraving  £28 .88 Prices remained fairly steady for some years, except for the payment of £56. 10s. od. In 1719‑20 when the Almanack was engraved in London[7]. Vertue's fee for engraving the two plates each year varied between  £76. 7s. 6d. In 1726‑7 and £54. 2s. 6d. In 1739‑40, and Cole was paid  £12 a year for engraving the two calendars.

The year of peak sales for the Almanacks was 1717, when 10,112 were printed; 500 were given away and the rest sold. The prices paid for work at the rolling press were low. In 1676 the printer charged OUP '3 shillings for a thousand impressions of the Sheldonian on a title page, and for a frontispiece and Sheldonian 6 pennies a hundred’[8]. Therefore the profits made by the press from the production of the almanacks underpinned the activities of the whole press and allowed academic publishing to flourish.

Hearne’s Diaries and References to Michael Burghers.

Introduction.

The references to Michael Burghers made by Thomas Hearne in his diaries provide valuable insights into how the interaction of the publisher and the artist/engraver would work during the early period of printing at Oxford and within Oxford University. The diary entries made by Thomas Hearne enable the reader to understand the way in which Burghers contributed to the book production in Oxford and the way in which Burghers was used, and perhaps undervalued, by the publishing industry. Mary Petter’s The Oxford Almanacks has included several quotes that touch upon the important link between Michael Burghers and Thomas Hearne, publisher of scholarly works, but the extent to which this resource shows the role of the craftsman requires a more extensive investigation. The diaries of Hearne cover the period from 1705 until a few days before his death in 1735. Burghers worked at the Press from 1673 until his death in January 1727, which meant that Hearne would have certainly known of Burghers from the time he first worked in the Bodleian in 1701 until he recorded the death of Burghers in his Relique on the 10th of January 1727.

What do these diary entries actually tell us? The diary entries give an intimately recorded and observed account of how the Press was resourced and what sort of people contributed to the management, planning, and production of academic publications. The operations of the Press at this time had a notable local Oxford flavor but were also linked to a national and international publishing industry. Burghers, as an illustrator and printer, Hearne, as a publisher, played their roles in expanding the practical developments in publishing that accompanied a similar expansion in learning and scholarly activity in the early 1700’s, but in very different ways. Hearne played his part by dealing in business and producing worthy publications and keeping an intimate record of his daily life. Burgher’s role was to combine the pursuit of technical skill that he brought to the process of publication, providing the activity of book production with decorative illustrations and accurate observational images, with a progressive involvement in the Oxford University system that went beyond merely doing what others ordered.

The significance of the professional collaboration between Hearne and Burghers cannot be overvalued, Burghers being the more established within Oxford University Press of this particular time and Hearne operating as a publisher within and outside of the Press itself. The two would quite easily cooperate as a natural consequence of the limited number of people available in Oxford for the publication of academic works. They had not much choice to work well on a professional level since without each other the activity they were working toward was mutually exclusive. Neither Hearne nor Burghers commented on any aspects of a close personal relationship and both seem to have their social distance from each other, but is Hearne’s diary entries indicate Burghers work ethic and certainly some glimpse of the personality traits that figured in the individual craftsman of the time.

Perhaps one of the more significant entries by Hearne is his record of Burghers death.

RELIUES 2
286 RELIQUIAE (1726-27)
Jan. 10. Yesterday morning died old Mr. Michael Burghers, of St. Peter's parish in the East, Oxford. He was born at Amsterdam in Holland, and beingan engraver, when young he came into England, and after some time settling in Oxford, he worked as a journeyman to Mr. David Loggan the university engraver.
Upon Loggan's death Burghers himself was made the university engraver. He was looked upon as the best general engraver in England, and had always till very lately, within these two or three years, a vast deal of business, so that being withal a very industrious man, he got a vast deal of money, and purchased a pretty estate in Oxford. His wife hath been dead several years. His only daughter (and I think only child now living) is the wife of one Welman a barber in St. Peter's parish. The old man was so foolish as to make all he had over to them some time ago, whereupon they wanted to be rid of him, and for some time they kept him a prisoner in his own house ; for he and they lived all together in a house of his by East gate ; and gave out one while that he was gone to Holland, and another that he was at Hackbourne in Berks, where his son in law Welman hath some estate, and all this that he might not come out to pay his debts. For they having got all, the old man was reduced so as to borrow money, and run in debt other ways. It is true, the old man was, in many respects, a great villain, and a very debauched person. Yet for all that, they should have taken all possible care of him, and not have starved him as they did. Had he had the comforts of life, he might have held out (as all think) ten or a dozen years longer, and yet was about fourscore when he died. He was a very strong man, and had a vast stomack. He was struck with a palsy a few days before he died, which if it had been known to physicians and apothecaries in good time, they might (as I am well assured) in all pro1726-bability have recovered him so as he might have held out a good while longer, but, it seems, they thought their father had lived too long already.






[1] David Loggan (1634–1692) was an engraver, draughtsman and painter.
[2] He became Engraver to the University in 1694. Hearne believed that Burghers was the best general engraver in England during the latter part of his life". He died according to Thomas Hearne's "Relique," on the 10th of January 1727.
[3] A good introduction to Thomas Hearne and his personal history is H. Carter's A History of the Oxford University Press Volume I to the year 1780, Oxford University Press, 1975, p263‑269
[4] NEP/subtus/Reg Bc, p27
[5] George Vertue, worked with Burghers for many years and described the Almanck of 1676??? to him ‘ the first of M Burghers with out his name poorly done’ 1678. with his name a little better. Some years after much improv’d his best (Walpole society, xx 33.) Vertue became engraver to the University on Burghers death in 1726 /27.
[6] Bodl. MS. Rawl. D. 397, ff. 424 4
[7]  The Account for Printing, i. I ; ii, ff. 13v, 32V
[8]  Bodl. MS Rawl. D 397, ff. 424, 4Iiv.